Song of the Saurials Read online

  The three Harper judges waited impatiently for the sage to continue. Elminster rose to his feet and circled around the table till he stood directly before the tribunal. “Three things …” he began. Then suddenly his face went pale. He gasped and clutched at his chest.

  “Elminster?” Morala cried, rising to her feet.

  “Are you all right, sir?” Breck asked, leaping from his seat to come to the aid of the sage. Some invisible force, though, repelled the young ranger. He bounced backward onto the dais at Kyre’s feet.

  In the span of three breaths, Elminster’s body seemed to turn to clear crystal. Then, in a flash of bright light, the sage was gone. In his place stood a huge, hideous beast.

  The creature stood as tall as a hill giant, towering over the three Harpers. The long red robe and fur cape it wore couldn’t hide the inhumanness of its form. It was covered with sickly green scales, and its eyes glittered red in the torchlight. Two sharp ivory horns sprouted from its head, and a third, even longer, horn rose from the tip of its long snout. Around the back of its head grew a bony frill, edged with spikes and decorated with arcane magical symbols. A muscular tail curled up from beneath the hem of its robe and swished back and forth like an angry snake.

  In one clawed appendage, the beast clenched an iron staff tipped with a yellow orb, and in the other claw it held out a small blood-red object vaguely resembling a large chess rook. The red object began to glow, and the Harpers could feel heat emanating from it.

  Kyre shouted, “Kill it!” Without a second’s hesitation, she drew a dagger from her boot and hurled it.…

  Also by Novak and Grubb:

  AZURE BONDS

  THE WYVERN’S SPUR

  SONG OF THE SAURIALS

  ©1991 TSR, Inc.

  All characters in this book are fictitious. Any resemblance to actual persons, living or dead, is purely coincidental.

  This book is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork contained herein is prohibited without the express written permission of Wizards of the Coast LLC.

  Published by Wizards of the Coast LLC. Hasbro SA, represented by Hasbro Europe, Stockley Park, UB11 1AZ. UK.

  FORGOTTEN REALMS, Wizards of the Coast, D&D, their respective logos, AD&D, Spelljammer, and TSR, Inc. are trademarks of Wizards of the Coast LLC in the U.S.A. and other countries. All other trademarks are the property of their respective owners.

  All Wizards of the Coast characters and their distinctive likenesses are property of Wizards of the Coast LLC.

  Cover art by: Clyde Caldwell

  eISBN: 978-0-7869-6326-3

  640-A1583000-001-EN

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  www.DungeonsandDragons.com

  v3.1

  To my sisters, Sharon and Beth

  K.N.

  Tb Frank, Jeff, Dave, Joe, and all the other

  denizens of the CMU and Purdue Dungeons

  who walked Tbril so long ago

  J.G.

  Contents

  Cover

  Other Books by These Authors

  Title Page

  Copyright

  Dedication

  Maps

  1: The Nameless Bard

  2: The Singer

  3: The Beast

  4: The Half-Elf

  5: The Young Priestesses

  6: The Old Priestess

  7: Beneath Finder’s Keep

  8: Grypht

  9: Finder’s Workshop

  10: The Hunt

  11: Betrayals

  12: The Beholder

  13: The Soul Song

  14: The Rescue

  15: The Reunion

  16: The Lost Vale

  17: Finder’s Secret

  18: The Seed

  19: The Weapon

  20: Finder in the Underworld

  21: New Lives

  About the Authors

  1

  The Nameless Bard

  “Hear what you’ve denied the Realms, what you’ve denied yourselves,” the prisoner muttered as he raised the chordal horn to his lips. His breath flowed through the instrument’s chambers with the steady force of a trade wind, and his fingers danced gracefully over the horn’s holes and keys. Sweet music filled the prison cell, slipped through the iron bars set in the cell door, swirled down the hallways of the Tower of Ashaba, and entered, unbidden, into the courtroom.

  The tune echoed along the bare stone walls of the chamber and danced about the Harpers’ courtroom. There, seated at a table before a tribunal of three Harpers, sat Elminster the Sage, about to offer his own counsel concerning the prisoner. Elminster paused before beginning his opening statement and closed his eyes to listen to the tune. It took him only a moment to catch the gist of the spell it was meant to weave. Ah, Nameless, will ye never change? he thought. A penitent man would plead for his freedom, a righteous man demand it. Is seduction all ye knowest?

  Morala of Milil, the eldest of the three judges, scowled at the musical interruption. Her eyes nearly disappeared in the wrinkles that creased her face. A lock of her snow-white hair fell forward, and she shoved it impatiently back into the gold hairnet at the nape of her neck. She, too, recognized the spell wrapped within the melody, and when she caught Elminster’s eye, she folded her frail arms across her chest and smiled coldly.

  Elminster smiled back, as if oblivious to the ancient priestess’s hostility. He thought with some annoyance, Why did the Harpers have to choose thee for this tribunal? Ye could hardly be considered unbiased. Ye never liked Nameless.

  Morala had been one of the judges who had sentenced Nameless at his first trial. Of course, Elminster knew that was exactly why she was here now. Someone had to represent the past, someone who knew the Nameless of old and recognized his tricks, tricks such as the one Nameless was engaging in at this very moment.

  “It wouldn’t kill thee to enjoy the melody, Morala,” the sage muttered under his breath. “A mere tune could hardly corrupt a pillar of stone like thyself.”

  Morala gave the sage a harsh glare, as if she’d heard his remark. Uncertain just how good her hearing was, Elminster shuffled a stack of scrolls across the table as if he were preoccupied with his defense and did not hear the music. When he sensed that Morala had turned her attention away from him, the sage sneaked a glance at the other two judges.

  Not surprisingly, Breck Orcsbane, the youngest of the three judges, seemed delighted with the music. The ranger’s head bobbed in time with the music, setting his long plait of yellow hair swaying like a pendulum. Elminster half-expected the brawny woodsman to get up and dance a jig. Morala had already expressed her displeasure that someone of Breck’s simplicity had been chosen for the tribunal, but Elminster was relieved to discover that at least one of the judges knew how to enjoy life.

  Only the bard, Kyre, displayed a completely neutral reaction to the music. The beautiful half-elven woman tilted her head to listen, but Elminster suspected that her technical analysis of the tune precluded experiencing it on any emotional level. The sage wished he could tell what she thought of it. He wished he could tell what she thought of anything. Kyre was so remote and stiff whenever he addressed
her that Elminster felt as if he were speaking with the dead, an experience with which he was not unfamiliar. As if to compensate for her reserved nature, Kyre wore a vivid red orchid in her lustrous black hair. Tb bloom in this climate, the sage realized, the orchid had to be enchanted, but who, he was left to wonder, was she trying attract with it?

  “Heth,” Morala said, addressing the tower page assigned to the Harpers. “Request the captain of the guard to do something about that noise,” she commanded, “and close the door on your way out.”

  “Oh, that won’t be necessary,” Breck said. “The music’s not half bad.”

  Heth hesitated at the doorway.

  Morala’s eyes narrowed as she looked to Kyre for support.

  Kyre shrugged, indifferent to the priestess’s annoyance.

  “The sound does not disturb me,” the half-elf said flatly.

  “Elminster? Aren’t you distracted by the noise?” Morala asked, hoping the sage would at least have the decency to admit the inappropriateness of the music at the trial. They had already agreed that Nameless should not appear before the tribunal. Morala feared he might charm the younger Harpers with his wit, while Elminster feared he might disgust them with his ego. It certainly did not seem appropriate to the priestess that the man’s music should be heard. It was just such music that Nameless had used to justify his crimes, and the Harpers had not yet repealed their original judgment that all the prisoner’s music be banished from the Realms.

  “I’m sorry, Morala,” Elminster replied. “My hearing’s not what it once was. Didst ye ask if I heard boys?”

  Morala let her breath out in a huff. She motioned the page to sit. “Please, continue with your argument, wise Elminster,” Morala prompted.

  Having gained the upper hand with Morala on so small a matter, Elminster hesitated before moving on to the more important issue at hand. Do I really dare speak on Nameless’s behalf? he wondered. Nameless’s ordeals don’t seem to have humbled him any. Is he any wiser for all his suffering? The sage sighed to himself and shook his head in an attempt to clear away his doubts. He had said he would speak on the prisoner’s behalf, so he would. He could only hope that the collective decision of the tribunal would prove at least as wise as his own uncertain counsel.

  The sage rose to his feet and cleared his throat. “At my request,” he explained, “the Harpers have agreed to reconsider the case of the Nameless Bard. They have chosen ye from among their ranks to represent them and serve on this tribunal. For the benefit of Kyre and Breck Orcsbane, who were not yet born when Nameless was first tried, I will review the circumstances of his trial and the outcome. If it please thy grace,” the sage said, nodding politely in Morala’s direction, “feel free to add to or correct me at any point. Ye knew Nameless as well as I.”

  Morala nodded politely in return, but Elminster realized it was unlikely she would interrupt him. His report would be scrupulously accurate, and Morala was astute enough to know she would only look like a fussy old woman if she began correcting him.

  Elminster began his tale. “The Nameless Bard was born three hundred and fifty years ago in a small village in one of the northern nations, the second son of local gentry. At an early age, he completed his training at a renowned barding college and graduated with highest honors. He chose the life of a wandering adventurer, and his songs became popular wherever in the Realms he roamed. While he relished his fame, he also put it to good use, attracting other young adventurers to help in any cause he felt worthy. Thus he and his companions became the founding fathers of the Harpers.

  “With the blessings of his gods and such aid as magic can give, he lived well beyond the natural span of years given to a human, yet there came a time when his mortality began to prey greatly on his mind. The bard became obsessed with preserving his songs for posterity. He was never satisfied with any other person’s performance of his works, so he would not settle for the tradition among most bards of passing the work on orally or leaving a written record. He began to experiment with magical means of recording his work and thus created a most marvelous piece of magic—the finder’s stone.”

  Elminster paused a moment and glanced at Morala, wondering if she would object to his mentioning the name of the magic device. Morala, however, chose to ignore Elminster’s mischief and waved her hand impatiently for him to proceed.

  “The stone was originally a very minor artifact that would serve any person as a compass of detection. Basically its wielder needed only to think of a person, and the stone would send out a beam of light indicating a path to that person,” the sage explained. “It also protected itself from theft as well as it could with a blinding light spell. Occasionally it was known to direct its wielder without instruction, as if it had a mind of its own, so that the stone was said to help the lost find their way.

  “The Nameless Bard experimented with altering the artifact’s nature, something only the most skilled or the most foolish magic-wielder would dare to try. Into the crystal’s heart he inserted a shard of enchanted para-elemental ice. Having survived such a risky undertaking, Nameless reaped a great reward. In his hands or those of his kin, the stone acted as a rechargeable wand holding those spells Nameless had acquired. Like the blank pages of a journal, the stone could store other information as well. Nameless claimed it could recall for him an entire library of tomes. It could also recall his songs and ‘sing’ them, as it were, in Nameless’s voice, exactly as he sang them. He added other enchantments so it could project the illusion that he was actually sitting there, singing the song.”

  “A little stuck on himself, wasn’t he?” Breck noted with a grin.

  Morala huffed in agreement.

  “More than a little, good ranger,” Elminster replied, smiling at Breck. The sage was pleased that the young man wasn’t afraid to speak out and even more pleased that the failings of others amused rather than annoyed the ranger. “Despite all that he had accomplished,” Elminster went on, “Nameless still was not satisfied. The stone’s illusion of himself needed to be commanded when to sing and told what to sing. It had no vital force to sing of its own will, or judgment to choose a song appropriate to the moment, or ability to gauge an audience’s reaction and build upon their emotions. So Nameless abandoned the stone as a failure. He planned next to build a powerful simulacrum of himself. The creature was to have Nameless’s own personality as well as all the knowledge Nameless had placed in the finder’s stone. So that none would shun it as an abomination, Nameless researched ways to make it indistinguishable from a true human. Finally, he intended to give it immortality.”

  Breck gave a low whistle of amazement. The priestess Morala shuddered, even though she was already familiar with the story. Kyre’s expression remained neutral—interested, but emotionless. The tune from the prisoner’s cell swelled into a bold fanfare.

  Elminster continued. “Having found it useful in his alterations of the finder’s stone, Nameless obtained another shard of para-elemental ice for the heart of the simulacrum.” The sage paused. It was easy enough for Elminster to speak of Nameless’s brilliance and daring, and even his obsession and vanity, but the sage’s heart ached to recall the bard’s crime.

  It was better he should tell it, though, than let Morala give the account. “Yet, for all his brilliance and natural ability with magic,” Elminster explained, “Nameless was a bard, not a trained magic-user. He recognized his own limitations and tried to enlist the aid of several different wizards, but without success. There were not many people whom he had not offended with his arrogance. Among those mages he counted as friends, many thought his project silly, a waste of time and energy. Some did not believe it would even work. Others thought the creation he proposed to be a heinous act. A few pointed out that the creation could be copied and used by malicious beings for evil purposes. They tried to convince him that he should be satisfied with the finder’s stone’s recreation of his music. Whatever their opinion, every mage he spoke with told him the project was too dangerous. It w
ould prove fatal to himself or some other.”

  “He went ahead and did it anyway, didn’t he?” Breck asked, as eager as a child to hear the outcome of Elminster’s story.

  The sage nodded. “Yes, he did. With the aid of his apprentices, he built the simulacrum’s body in his own home. As he began casting the spell that would animate the creature, however, something went wrong. The para-elemental ice exploded. The simulacrum was destroyed, and one apprentice died instantly. Another lost her voice, and all attempts to heal her failed.”

  “She killed herself later,” Morala interrupted with a trace of anger.

  “Yes,” Elminster admitted, then hastily added, “but that was after the time of which I speak. When Nameless summoned help for his wounded apprentice, he freely admitted how she had sustained her injuries. The other Harpers were appalled that he had risked his own apprentices in so dangerous a task, all for the sake of his obsession with his music. They summoned him to judgment and found him guilty of slaying one apprentice and injuring another. They determined a punishment to fit his crime.

  “His music and his name were to be banished from the Realms. To keep him from thwarting them in this goal, and also to keep him from trying his reckless experiment again, the Harpers removed the bard’s own name from his memory and banished him from the Realms, exiling him to a border region of the positive plane of life, where, due to the nature of that region, he would live in good health and relative immortality. He was condemned, however, to live in complete solitude.” Elminster paused again.

  Nameless’s tune switched to a plaintive minor key as Morala, Orcsbane, and Kyre sat contemplating their fellow Harper’s crime and his punishment. It almost seemed as if Nameless was aware of what point in his story Elminster had reached. Morala glanced suspiciously at the sage, but he seemed not to notice the tune at all.

  Actually Elminster’s attention at the moment was attracted to a fluttering shadow behind the tribunal. The sage made no sound or movement to call attention to the small figure he spotted skulking along the courtroom wall. It was only the halfling, Olive Ruskettle. Elminster could see no harm in her unauthorized presence. After all, she knew Nameless’s story already. The sage made a mental note, though, to chide Lord Mourngrym about the quality of the tower guard. In the courtroom, the halfling was nearly impossible to spot, adept as she was at hiding in the shadows, but she should not have been able to pass through the tower’s front gate in broad daylight unchallenged by the guards.